![]() Discuss the instrumentation, musicality, and the vocals (e.g. Musicality and dance dynamics of magical maqam patterns in a taxim full of drama and depth of feeling from musical dynamics from varying tones, sound levels, and timing. Musical structure and styling: Fast Taxim in Dalaa style, maqam scale runs, leit motifs. Note rhythms and dance style: Wahda 4/4, and Ayub 2/4 4. Define musical phrasing, and finger cymbal patterns 3. Discuss “cultural context” meaning of the songs, and appropriate dancing style: Andalusian/Spanish Flamenco, tribal, Hawaiian, 2. Workshop 2 Lebanese and Oriental Occidental - Instructional Elements:ġ. Try your hand at playing finger cymbals in syncopated rhythmic styling with guitar and finger cymbals on the recording. Try creative movement styling to a violin taxim that sounds like a Japanese koto. How to dance to different instruments: violin, oud, kanun, ney, doumbeq, violin taxim, ukulele, bass, kanun, and guitar. Georges music provides the opportunity to fuse and incorporate: Andalusian/Flamenco styling, and Hawaiian/Polynesian styling. Then try your hand dancing different dance styles and learn to coordinate musicality with dance movements, for example: stylized veil movements, undulations with flowing veil, shimmies with traveling steps. Workshop 2 features Opus Omnia and Oriental Occidental music by Georges Lammam Bring finger cymbals, veils, notebooks and listen, learn, and understand the music composed by Georges Lammam. Workshop 2: Lebanese and Oriental Occidental music by Georges Lammam Musicality & Movement Workshop 2: Ap2:00 – 4:30 pm, $25 Dancers each solo (or if many enrolled – two at a time) improvise to a short section of the song(s). Apply Ma*Shuqa Method structure and instruction for dance movement and dance styling, movement combinations, fan veil: matching musicality and rhythms e.g. Discuss the instrumentation and the vocals (e.g. Musical structure and styling and maqamat: Kurdi, Hijaz, Nikriz, Mahur, and Huzzam 5. Discuss “cultural context” meaning of the songs, and appropriate dancing style: Andalusian, tribal, dervish 2. Workshop 1 Turkish Music & Dance Instruction Elements:ġ. How to dance to different instruments: zurna, oud, kanun, ney, bass, kemanche, requito, bandola, guitar, tanbour, santur, bendir, darbuka. Learn to coordinate musicality with dance movements, for example: stylized veil movements, undulations with flowing veil, shimmies with traveling steps. Workshop 1: Turkish songs from Omar Faruk Tekbilek Bring your finger cymbals, notebooks, veils, fan veils and be ready to listen, learn, understand, and try your hand at different dance styles in Turkish music: Andalusian, Egyptian, Cabaret, Tribal, and moves for troupe dancing. Dance instruction includes a variety of dance styles from cabaret to tribal, and ideas for troupe performances. ![]() Movement matching musicality is the goal and process for learning how to perform to the music. Ma*Shuqa Method notation and structure will give dancers a way to understand, capture the feeling, and move improvisationally to the music. The instructor will provide through focused listening and discussion - information about the music: cultural context, rhythms, instrumentation, singing and emotional message. Each workshop in the series will focus on several popular Middle Eastern pieces of music. The workshop series is an opportunity to enhance your understanding of Middle Eastern music and gain confidence for dancing. Workshop 1: Turkish songs from Omar Faruk Tekbilek Musicality & Movement Workshop 1: Saturday, Ma2:00 – 4:30 pmFee: $25 ![]() Location: Ma*Shuqa’s Studio: 15651 Camino Del Cerro, Los Gatos, CA (408) 356-9473Įach workshop in the series has a separate topic – attendance at all workshops not required. Musicality and Movement: Music, Rhythms, & Dance Workshop Series with Ma*Shuqa ![]()
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